His nickname was “Walkabout,” an apt tag for the irrepressible spirit that was Peter Beard, as snug amid wild sport in Kenya as he was behind the velvet ropes of a wild membership. In 82 years, he beat the percentages many instances. An elephant assault broke his pelvis in 5 locations, and he blew sufficient cocaine to impress Keith Richards. So it was puzzling and tragic when his physique was present in woods close to his Montauk residence final spring. There was no signal of foul play—he’d merely, most definitely anyway, wandered off.
Peter Pan, Lord Byron, Tarzan, Casanova, Saint-Exupéry’s Petit Prince, Ernest Hemingway: All have been invoked to explain Beard. However there isn’t any template for an unique like Beard, who possessed an insatiable urge for food for medication and hazard. His artwork was generally overshadowed by his attention-getting exploits, antics that needs to be thought of “mud within the lion’s paw,” based on the author and Beard pal Paul Theroux. The precincts that entranced him, and fashioned his lifelong work, have been Africa and ladies.
He was a participatory artist, utilizing his personal blood generally, a contact of the visceral that linked him to his hero and pal the Irish painter Francis Bacon. Even into his 70s, Beard held court docket at nightclubs. His entrenched use of medication spoke to a exceptional stamina.
“He got here by every little thing,” says Martine De Menthon, a pal and former co–editor in chief of vogue for French Vogue. “No sleep, taking every little thing, consuming. However he by no means misplaced his focus.”
“He created his fable,” says Ruth Ansel, who was the artwork director of Beard’s first supersized Taschen monograph, in 2006. “Others perpetuated it. I believe 90 % of the parable is true as a result of he did stay that life, he did behave that means, he was all these dangerous boy issues that seem like a part of the story.”
But it’s most likely not shocking to study that the person was extra difficult than his legend permits, as new interviews reveal. Celebrated for his irreverence and sprezzatura, Beard is remembered as heat and beneficiant, however there are additionally recollections of callousness, cynicism, and, when his temper pivoted, violence.
In June, Taschen issued a fourth version of a monograph, 770 pages of images from Beard’s profession, a lot of it centered on his diaries, probably the most constant venture of his life and his self-proclaimed “obsession.” At greater than 100, the diaries are chaotic, their pages bursting with artifacts of his day or his fancy: images, quill-pen drawings, animal bones, product labels, tabloid headlines, and telephone numbers. To this point, little scholarly evaluation exists of Beard’s work, however the diaries are amongst a trove to be excavated in his property, which he willed to his spouse, Nejma. As to what extent Beard efficiently navigated the pitfalls of a white artist depicting Africa and Africans, Sarah Elizabeth Lewis, an affiliate professor at Harvard College within the Division of Historical past of Artwork and Structure and the Division of African and African American Research, says that to this point, there has not been sufficient important scholarship on Beard’s oeuvre across the concept of “dismantling the ‘nice white hunter’ mannequin that permits a few of his work.” That’s what makes Beard’s diaries—based on Lewis, his most vital work—so pressing to know. And to know his diaries, you have to perceive his life.
Beard began out as a vogue photographer, however his photos of a decaying Africa put him on the forefront of the environmental conservation motion, evincing what Lewis describes as his “difficult relationship with a primitive gaze on the continent.”
His great-grandfather was James J. Hill, who based the Nice Northern Railway, and his step-grandfather was tobacco magnate Pierre Lorillard IV. The center youngster of three boys, Beard grew up on Fifth Avenue and summered at his grandmother’s Gin Lane property, La Dune, in Southampton. In a documentary about his life, he introduced that he was “not a WASP,” describing his household as “mackerel snappers,” a derogatory time period for Catholics. His faculties have been patrician: Buckley, Pomfret, Yale. Though it’s constantly reported that Beard was wealthy, a member of the family mentioned his inheritance yielded between $50,000 and $100,000 a 12 months—by no means sufficient for a person with a wingspan from New York to Nairobi.